![]() Remembering to hold down each chord shape for as long as possible, pick the individual chord tones in flowing eighth notes. Or, try playing the chords as either finger- or flat-picked arpeggios. In the first approach, pick a bass note on beat 1, followed by eighth-note (two per beat) down-up strums on beats 2 and 3. I’ve provided two basic accompaniment patterns, both in 3/4, or waltz time, which will work well for the arrangement. If you’d like, for a little harmonic variety, substitute G7 for the G chord-just play the first-fret F on string 1 with your first finger. The arrangement shown here, not based on a particular version, is in the guitar-friendly key of C major and uses the basic C (I), G (V), F (IV), and D (II) chords. It’s often played with just four chords-the I, the IV, the V, and the V/V, or II-making it ideally suited for campfire play. ![]() ![]() “Streets of Laredo” has received lots of great interpretations over the years, by artists such as Johnny Cash, Joan Baez, and Chet Atkins to name just a few. ![]()
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